LUX LIGHTING RENTALS
The Silver/Blue, Manual Mount L7-C LE2 Color LED Fresnel is part of ARRI’s continuing effort to replace traditional Fresnels with powerful LED versions that offer unprecedented color control. The L7-C LE2 shares many characteristics with its predecessor, but the most obvious improvement is a 25% boost in power, increasing the light’s tungsten equivalency from 750W to 1000W. This stand/manual mount version has a yoke with a 1-1/8″ Junior pin.
The key characteristic of any Fresnel is flood-to-spot capability, and the L7-C LE2 meets and exceeds expectations with an impressive beam angle of 15-50°. There’s no learning curve when swapping out L7-C LE2 fixtures for fixtures with standard Fresnels. In fact, you’re not going to be moving them around or juggling scrims in high places thanks to the 100 – 0% on-board dimming.
The L7-C LE2 is a “fully tune-able” white light source too, allowing you to match existing fixtures from a warm 2800K to ice-blue 10,000K. The on-board controller allows manual intensity control as well as color temperature and +/- green. Specific color shades and skin tones can be matched through the full gamut color mixing feature. All functions can be controlled via DMX, an ideal feature for broadcast studios. The hybrid cooling system allows for cooling both actively (with a fan) or passively (without a fan) for times when the set needs to be dead quiet. The L7-C LE2’s 1000W equivalent output draws only 160W during normal operation, making possible a savings of a 75% over similar output tungsten lights. And low heat means lower AC bills in the studio. You can actually run 9x L7-C LE2’s from a 20A, 120VAC outlet as opposed to two 1000W or three 650W standard fixtures. The L7-C requires a separately-purchased power cable.
“Inspiring images. Since 1917.” ARRI is a global player within the motion picture industry, employing around 1,600 staff worldwide. Named after its founders August Arnold and Robert Richter, ARRI was established in Munich, Germany, where the headquarters is still located today. Other subsidiaries are in Europe, North and South America, Asia, and Australia.
The ARRI Group consists of the business units Camera Systems, Lighting, Rental, and Solutions, as well as the subsidiary Claypaky, all dedicated to connecting creativity and future technologies for moving images and live entertainment. ARRI is a leading designer and manufacturer of camera and lighting systems for the film, broadcast, media, and entertainment industries, with a worldwide distribution and service network. The portfolio includes digital cameras, lenses, camera accessories, archive technologies, lamp heads, and lighting accessories. Along with offering exclusive technologies, ARRI Rental’s first-class services and equipment provide camera, lighting, and grip packages to professional productions around the world. ARRI Solutions offers high-quality virtual and traditional production infrastructure solutions and efficient, integrated workflows to a broad range of studio operators, producers, and enterprises. Claypaky fascinates audiences worldwide with cutting-edge live entertainment and stage lighting.
In recognition of its innovative contributions to the film and television industries, ARRI has been honored with 19 scientific and technical awards from the Academy of Motion Picture Arts & Sciences and six Engineering Emmys from the Television Academy and the National Academy of Television Arts & Sciences.